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The actors who had their Oscars revoked, or refused to accept

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Imagine you’re called up on stage to receive the honour of a lifetime – an Academy award – but instead of thanking everyone you know, you decide to take a stand.

To date, just three people have rejected an Oscar out of well over 2,000 winners.

So let’s start with them.

Dudley Nichols – 1935 Oscar for Best Screenplay

The first person to reject an Oscar was screenwriter Dudley Nichols, who won for Best Screenplay for the 1935 film, ‘The Informer’. Set during the Irish War Of Independence and adapted from the novel of the same name by Liam O’Flaherty, John Ford would go on to win Best Director with Nichols winning Best Screenplay.

Nichols refused to accept the Oscar and cited an ongoing writer’s strike in Hollywood as his reason.

George C. Scott shows his feelings.

George C. Scott – 1971 Oscar for Best Actor

Scott famously called the Oscars “a two-hour meat parade, a public display with contrived suspense for economic reasons,” and sent a telegram to the Academy telling them that he’d be refusing the award.

Scott, who was noted for his utter distaste for the entire ceremony.

Sacheen Littlefeather displays the hand-written speech from Marlon Brando.

Marlon Brando – 1973 Oscar for Best Actor

In 1973, perhaps one of the most famous moments in Oscar history occurred. Marlon Brando, another heavy favourite to win the Academy Award for Best Actor for his performance in ‘The Godfather’, was announced as the winner.

But Brando didn’t turn up to the Academy Awards – as an added gesture, he sent Sacheen Littlefeather in his stead.

Then there are the very rare instances where the Academy has revoked a nomination. 

Hondo (1953)

In 1954, the John Wayne western Hondo was nominated for Best Story. The film was later disqualified when it was discovered that the script was based on a short story called “The Gift of Cochise.” What a story.

Tuba Atlantic (2010)

Tuba Atlantic is a 25-minute Norwegian short film about a 70-year-old man who only has six days to live and spends that time reconciling with his estranged family.

It was nominated for Best Live Action Short Film in 2012, but the nomination was wa later revoted because the film appeared on TV before movie cinemas. And at the Oscars, film comes first.

13 Hours (2016)

In 2017, 13 Hours earned a single Oscar nomination for Best Achievement in Sound Mixing, with four members of the sound team (Gary Summers, Jeffrey J. Haboush, Mac Ruth, and Greg P. Russell) singled out for their work.

But just one day before the ceremony — the Academy announced that they were rescinding Russell’s nomination as a result of “telephone lobbying.”

Upon recommendation by the Sound Branch Executive Committee, the Academy’s Board of Governors voted to rescind the Sound Mixing nomination for Greg P. Russell from 13 Hours: The Secret Soldiers of Benghazi for violation of Academy campaign regulations. The decision was prompted by the discovery that Russell had called his fellow members of the Sound Branch during the nominations phase to make them aware of his work on the film, in direct violation of a campaign regulation that prohibits telephone lobbying.

Academy awards statement

Will Smith apologises to Chris Rock

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Streaming service shift and the award season snubs

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Netflix Introduces Changes to Subscription Model, Academy Award Nominations Spark Cinematic Buzz, and the Doomsday Clock Continues its Ominous Ticking.

Netflix is set to discontinue its ad-free Basic subscription in select countries, commencing with Canada and the UK in Q2 2024.

This strategic shift introduces a significant price increase for the baseline entry, signalling potential adjustments to Netflix’s global pricing structure.

Simultaneously, the 96th edition of the Academy Award nominations has stirred cinematic debates, with the prevailing question being whether the upcoming season will be dominated by “Barbie” or “Oppenheimer.” These contrasting narratives set the stage for a fierce competition, highlighting the diverse and compelling offerings in this year’s film industry.

Beyond the realm of entertainment, the Doomsday Clock, a symbolic representation of the likelihood of a human-made global catastrophe, continues its ominous countdown.

Maintained since 1947 by the Bulletin of the Atomic Scientists, the clock serves as a metaphor for threats arising from unchecked scientific and technological advances. As global tensions, environmental challenges, and technological risks persist, the ticking of the Doomsday Clock serves as a poignant reminder of the urgent need to address multifaceted threats to humanity.

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Adidas faces potential $320M Yeezy shoe write-off post-Kanye split

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Adidas is contemplating a significant financial blow as it considers writing off $320 million worth of Yeezy shoes following its separation from music and fashion icon Kanye West.

The sportswear giant’s decision to sever ties with West’s Yeezy brand has left a mountain of unsold merchandise, threatening to dent the company’s balance sheet.

The partnership between Adidas and Kanye West, which began in 2013, had been immensely successful, with Yeezy shoes becoming a highly sought-after fashion statement.

However, recent controversies and disagreements between West and Adidas prompted the sportswear company to distance itself from the celebrity designer.

The massive inventory of Yeezy shoes now presents a dilemma for Adidas, as it grapples with finding a solution to deal with the surplus stock. A $320 million write-off could significantly impact the company’s financial performance in the short term.

Adidas is currently exploring various options, including discounting, donating, or repurposing the unsold inventory to mitigate the financial hit.

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Warner Bros discovery warns of Hollywood’s ‘real risk’ post-strikes’

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Warner Bros Discovery, has issued a stark warning regarding the ‘real risk’ that Hollywood faces in the aftermath of the recent strikes that have taken a considerable toll on the industry’s financial health.

The strikes, which disrupted film and television production for several weeks, resulted in substantial financial losses for studios, production companies, and countless industry professionals.

Warner Bros Discovery emphasised the necessity for a resilient and adaptable approach to navigate the ongoing challenges and uncertainties facing the film and television sector.

The conglomerate stressed the importance of implementing measures to mitigate such risks in the future, which include fostering better labour relations and contingency planning to safeguard against potential disruptions.

The message underlined the need for the industry to adapt to the evolving landscape of content creation and distribution, particularly in the digital era.

This warning from Warner Bros Discovery highlights the need for the entertainment industry to recognise the ever-changing dynamics and economic challenges, and the importance of preparedness to maintain its prominent position in the global market.

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