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Alec Baldwin: ‘I didn’t pull the trigger’

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Actor Alec Baldwin has spoken for the first time since the shooting which killed a cinematographer on the set of the film, Rust

Alec Baldwin says he “didn’t pull the trigger” of the gun that killed cinematographer Halyna Hutchins on the set of his film, Rust.

The actor, speaking for the first time about the incident with ABC News America, made the claim as he spoke to reporter George Stephanopoulos

“I would never point a gun at anyone and pull a trigger at them. Never,”

The interview was recorded on Tuesday, and is due to be broadcast in the US on Thursday evening.

“I’ve done thousands of interviews in the last 20 years at ABC,” he said. “This was the most intense I’ve ever experienced”

ABC’s Stephanopoulos described their 80-minute discussion as “raw” and “intense, as he spoke to the 63-year-old actor about the incident.

The journalist described Baldwin as “devastated” yet “very candid” and “forthcoming” during a preview of the interview on Good Morning America on Wednesday.

Alec Baldwin is best-known for his performances in films like Cat in the Hat, Glengarry Glen Ross and The Hunt For Red October, as well as his well known impersonations of former US President Donald Trump on US sketch show Saturday Night Live.

Police investigating if recycled ammo was used in Rust shooting
Police investigating if recycled ammo was used in Rust shooting

The investigation into the on-set shooting continues

Police continue to comb through evidence as they probe how the incident occurred. Authorities say Baldwin was told the gun was safe to handle, but they continue to investigate how a live round ended up in the weapon, before it was discharged.

Mr Baldwin was asked during his interview with Stephanopoulos how a live round ended up on the set.

“I have no idea,” the actor said.

“Someone put a live bullet in a gun — a bullet that wasn’t even supposed to be on the property.”

Investigators have described “some complacency” into exactly how weapons were handled on the set.

Authorities have stated that it is still ‘too soon’ to determine whether charges will be filed, amid independent civil lawsuits concerning liability in the fatal shooting.

Anthony Lucas is reporter, presenter and social media producer with ticker News. Anthony holds a Bachelor of Professional Communication, with a major in Journalism from RMIT University as well as a Diploma of Arts and Entertainment journalism from Collarts. He’s previously worked for 9 News, ONE FM Radio and Southern Cross Austerio’s Hit Radio Network. 

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Streaming service shift and the award season snubs

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Netflix Introduces Changes to Subscription Model, Academy Award Nominations Spark Cinematic Buzz, and the Doomsday Clock Continues its Ominous Ticking.

Netflix is set to discontinue its ad-free Basic subscription in select countries, commencing with Canada and the UK in Q2 2024.

This strategic shift introduces a significant price increase for the baseline entry, signalling potential adjustments to Netflix’s global pricing structure.

Simultaneously, the 96th edition of the Academy Award nominations has stirred cinematic debates, with the prevailing question being whether the upcoming season will be dominated by “Barbie” or “Oppenheimer.” These contrasting narratives set the stage for a fierce competition, highlighting the diverse and compelling offerings in this year’s film industry.

Beyond the realm of entertainment, the Doomsday Clock, a symbolic representation of the likelihood of a human-made global catastrophe, continues its ominous countdown.

Maintained since 1947 by the Bulletin of the Atomic Scientists, the clock serves as a metaphor for threats arising from unchecked scientific and technological advances. As global tensions, environmental challenges, and technological risks persist, the ticking of the Doomsday Clock serves as a poignant reminder of the urgent need to address multifaceted threats to humanity.

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Adidas faces potential $320M Yeezy shoe write-off post-Kanye split

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Adidas is contemplating a significant financial blow as it considers writing off $320 million worth of Yeezy shoes following its separation from music and fashion icon Kanye West.

The sportswear giant’s decision to sever ties with West’s Yeezy brand has left a mountain of unsold merchandise, threatening to dent the company’s balance sheet.

The partnership between Adidas and Kanye West, which began in 2013, had been immensely successful, with Yeezy shoes becoming a highly sought-after fashion statement.

However, recent controversies and disagreements between West and Adidas prompted the sportswear company to distance itself from the celebrity designer.

The massive inventory of Yeezy shoes now presents a dilemma for Adidas, as it grapples with finding a solution to deal with the surplus stock. A $320 million write-off could significantly impact the company’s financial performance in the short term.

Adidas is currently exploring various options, including discounting, donating, or repurposing the unsold inventory to mitigate the financial hit.

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Warner Bros discovery warns of Hollywood’s ‘real risk’ post-strikes’

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Warner Bros Discovery, has issued a stark warning regarding the ‘real risk’ that Hollywood faces in the aftermath of the recent strikes that have taken a considerable toll on the industry’s financial health.

The strikes, which disrupted film and television production for several weeks, resulted in substantial financial losses for studios, production companies, and countless industry professionals.

Warner Bros Discovery emphasised the necessity for a resilient and adaptable approach to navigate the ongoing challenges and uncertainties facing the film and television sector.

The conglomerate stressed the importance of implementing measures to mitigate such risks in the future, which include fostering better labour relations and contingency planning to safeguard against potential disruptions.

The message underlined the need for the industry to adapt to the evolving landscape of content creation and distribution, particularly in the digital era.

This warning from Warner Bros Discovery highlights the need for the entertainment industry to recognise the ever-changing dynamics and economic challenges, and the importance of preparedness to maintain its prominent position in the global market.

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