Peter Greste, Macquarie University

The video of a Los Angeles police officer shooting a rubber bullet at Channel Nine reporter Lauren Tomasi is as shocking as it is revealing.

In her live broadcast, Tomasi is standing to the side of a rank of police in riot gear. She describes the way they have begun firing rubber bullets to disperse protesters angry with US President Donald Trump’s crackdown on illegal immigrants.

As Tomasi finishes her sentence, the camera pans to the left, just in time to catch the officer raising his gun and firing a non-lethal round into her leg. She said a day later she is sore, but otherwise OK.

Although a more thorough investigation might find mitigating circumstances, from the video evidence, it is hard to dismiss the shot as “crossfire”. The reporter and cameraman were off to one side of the police, clearly identified and working legitimately.

The shooting is also not a one-off. Since the protests against Trump’s mass deportations policy began three days ago, a reporter with the LA Daily News and a freelance journalist have been hit with pepper balls and tear gas.

British freelance photojournalist Nick Stern also had emergency surgery to remove a three-inch plastic bullet from his leg.

In all, the Los Angeles Press Club has documented more than 30 incidents of obstruction and attacks on journalists during the protests.

Trump’s assault on the media

It now seems assaults on the media are no longer confined to warzones or despotic regimes. They are happening in American cities, in broad daylight, often at the hands of those tasked with upholding the law.

But violence is only one piece of the picture. In the nearly five months since taking office, the Trump administration has moved to defund public broadcasters, curtail access to information and undermine the credibility of independent media.

International services once used to project democratic values and American soft power around the world, such as Voice of America, Radio Free Europe and Radio Free Asia, have all had their funding cut and been threatened with closure. (The Voice of America website is still operational but hasn’t been updated since mid-March, with one headline on the front page reading “Vatican: Francis stable, out of ‘imminent danger’ of death”).

The Associated Press, one of the most respected and important news agencies in the world, has been restricted from its access to the White House and covering Trump. The reason? It decided to defy Trump’s directive to change the name of the Gulf of Mexico to Gulf of America.

Even broadcast licenses for major US networks, such as ABC, NBC and CBS, have been publicly threatened — a signal to editors and executives that political loyalty might soon outweigh journalistic integrity.

The Committee to Protect Journalists is more used to condemning attacks on the media in places like Russia. However, in April, it issued a report headlined: “Alarm bells: Trump’s first 100 days ramp up fear for the press, democracy”.

A requirement for peace

Why does this matter? The success of American democracy has never depended on unity or even civility. It has depended on scrutiny. A system where power is challenged, not flattered.

The First Amendment to the US Constitution – which protects freedom of speech – has long been considered the gold standard for building the institutions of free press and free expression. That only works when journalism is protected — not in theory but in practice.

Now, strikingly, the language once reserved for autocracies and failed states has begun to appear in assessments of the US. Civicus, which tracks declining democracies around the world, recently put the US on its watchlist, alongside the Democratic Republic of Congo, Italy, Serbia and Pakistan.

The attacks on the journalists in LA are troubling not only for their sake, but for ours. This is about civic architecture. The kind of framework that makes space for disagreement without descending into disorder.

Press freedom is not a luxury for peacetime. It is a requirement for peace.

Peter Greste, Professor of Journalism and Communications, Macquarie University

This article is republished from The Conversation under a Creative Commons license. Read the original article.